![]() ![]() Instead of contrived urgency, there's un-pressured whimsy, and the movie exists as pure charm, expressed in fantastical imagery." "Perhaps because the Beatles were considered such a draw, perhaps because the songs were counted on to sell the film, there was no agenda to dumb down the material or hard-sell the story. "The story avoids the usual gee-whiz urgency of so much animation and reflects the same deadpan understatement that the Beatles used in A Hard Day's Night," Ebert noted. Watch a Video About the Voices Heard in 'Yellow Submarine' But the most important contributions to the script arguably came from an uncredited Roger McGough, a Liverpool-based poet and contemporary of the Beatles, who punched up the Beatles' dialogue with a heavy dose of typical Liverpudlian humor. Pepper – but a Bambi would have been better for me at the time."īroadax and Minoff wrote the screenplay, with assistance from Jack Mendelsohn and Erich Segal, who would soon go on to greater fame with Love Story. They felt they ought to pick up on where we had been up to, which was Sgt. Looking back on the film, I do like it now. "I love the Disney films, so I thought this could be the greatest Disney movie ever - only with our music. "I wanted Yellow Submarine to be more of a classic cartoon," he recalled in Anthology. The decision to draw upon the whimsical psychedelia of the era originally didn't sit well with Paul McCartney. Watch the Beatles' 'Eleanor Rigby' Sequence From 'Yellow Submarine' "It has a freedom of color and invention that never tires, and it takes a delight in visual paradoxes." isn't full motion and usually remains within one plane, but there's nothing stiff or limited about it," Roger Ebert wrote when the movie was restored in 1999. If you freeze-frame it, you can see some of the brilliant tricks they came up with." The sequence where the sub takes off from the pier and appears to travel rapidly through all sorts of live-action settings, including a park where a statue of a military man astride a horse appears to tip his hat to you, was all done using postcards. "They used media no one had ever thought of using in animation. "The artists and directors used techniques no one had ever used before, and haven't since," he told the Guardian in 2012. ![]() ![]() Josh Weinstein, who was a writer and producer for The Simpsons in the '90s, marveled at its technical innovations. The Beatles leave Liverpool in the submarine and undergo a series of surreal adventures to get to Pepperland, including going back and forward in time, fighting off a monster and befriending a lovable creature named Jeremy Hillary Boob, Ph.D, who eventually helps them emerge victorious. An aged sailor, Old Fred, escapes and takes off in the submarine to Liverpool, where he convinces the Beatles to defeat the Blue Meanies. It then comes under attack from the from the music-hating Blue Meanies, who freeze all of its inhabitants. (Full speed ahead Mr.Minoff's story is set in Pepperland, an underwater music-filled utopia protected by Sgt. more »īecome A Better Singer In Only 30 Days, With Easy Video Lessons! In the town where I was born An orchestral reprise to the song arranged by George Martin titled "Yellow Submarine in Pepperland" is featured at the end of the film and its soundtrack. It became the title song of the animated United Artists film, also called Yellow Submarine (1968), and the soundtrack album to the film, released as part of the Beatles' music catalogue. In the US, the song peaked at number two on the Billboard Hot 100 chart, behind "You Can't Hurry Love" by the Supremes and it became the most successful Beatles song to feature Starr as lead vocalist. It won an Ivor Novello Award "for the highest certified sales of any single issued in the UK in 1966". The single went to number one on every major British chart, remained at number one for four weeks, and charted for 13 weeks. It was included on their 1966 album Revolver and issued as a single, coupled with "Eleanor Rigby". "Yellow Submarine" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon, with lead vocals by Ringo Starr. ![]()
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